The Real British X-Files
By Nick Pope
There's some amazing stuff in amongst the mass of more routine material, says Nick Pope. UFOs seen by police officers and pilots, UFOs tracked on radar, craft seen performing speeds and maneuvers significantly in excess of those of our most advanced military aircraft, intriguing photos and videos...
Nick Pope used to work for the British Ministry of Defense and for 3 years headed up their UFO project. His remit was to investigate UFO sightings reported to the British government, looking for evidence of any potential threat, or anything judged to be of any “defence significance.”
Abstract
Late in 2007 the UK Ministry of Defence (MoD) gave an undertaking to release its entire archive of UFO files. On May 14 2008 the National Archives released the first batch of files, leading to worldwide media coverage, including articles in the New York Times and coverage on CNN News. On October 20 2008 the National Archives released the second batch of files, again generating global media coverage, including a feature on ABC News’s Nightline. I used to work at the MoD on these files and although I left government service in 2006, I assisted the National Archives in the release process by reviewing the files, selecting cases of potential interest to the media and acting as someone to whom they would refer journalists wanting to discuss the files. I will set out the background to this release and explain how the French government’s 2007 decision to release its UFO files was a major factor in the UK decision, as was the fact that the MoD receives more FOI requests on UFOs than any other topic. I will then give detailed information about the files, explaining how much material there is, what it comprises and what the timeline is for full disclosure. I will also discuss the level of classification involved and the various FOI exemptions that mean certain information will not be released. Finally, I will pick out some cases from the newly released files and discuss the wider implications of this release. (more…)
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John Searl - Electromagnetic Flying Discs - The Story Behind The Story
by Bradley Lockerman, BKL Films
Executive Producer, Writer, Director, Camera for the The John Searl Story.
Comments by John Searl about the film and excerpts from the film log. Follow-up dialogue about coming film sequel that will address the topic of the powers that be who not only suppressed the technology, but stole it.
Bradley Lockerman in the Scottish Highlands filming scenes for The John Searl Story, released on DVD Jan. 15, 2009. (Ref.)
“It’s marvelous… maybe people will realize that ALL of it is interesting information…” said John Searl.
“People are more impressed with lies… than the truth. I can’t (lie) because I’m speaking from the heart… about what I know… and what I do.”
Throughout the making of The John Searl Story there was one distinct, undeniable constant, Searl was telling his truth.
I spent several years shooting, logging, collecting and then pouring over the sixty plus hours of raw footage in the edit waiting to find a blink or flinch or a stutter that would indicate he was concocting this portion or that portion of his story. It never came. (more…)
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Video: Thomas Townsend Brown Working at Bahnson Labs
Rare archival 8mm silent film of Thomas Townsend Brown working at Bahnson Labs from 1958 to 1960. Selected clips showing vacuum chamber experiments with various electrogravitic devices, demonstrating successful localized gravity modification, or energy field propulsion. Conducted in large vacuum chamber on numerous occasions, providing proof that Brown’s ‘Electrogravitic Effect’ was more than simply high voltage ‘Ion Wind’ and representing a true scientific breakthrough. (more…)
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Defying Gravity - The Parallel Universe of T. Townsend Brown
Here Paul Schatzkin speaks to the UFO Crash Retrieval Conference in Las Vegas on November 11, 2006 about his latest work in progress: “Defying Gravity - The Parallel Universe of T. Townsend Brown,” now available in e-book version as well as paper: http://www.ttbrown.com/
If you want to skip all of the preliminaries of the video, (i.e. the introduction by Ryan Wood), the actual presentation starts at approximately 3:30 minutes.
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